eBooks

Overfunding and Under-delivering | @Tom_Chalmers

The Next Big Thing – surely it’s got to come online; that is where all the Next Big Things happen. It’s highly likely to and it is great to see the pace picking up in the publishing industry with all the new digital ventures and initiatives. Particularly against the shadow of Amazon’s ceaselessly efficient business land-grab, the desire to spread the wealth and create competitions makes total sense. Read more »

The link

In AD 383, a twenty-nine-year-old professor of Latin rhetoric whom future centuries would know as Saint Augustine arrived in Rome from one of the empire's outposts in North Africa. He paid a visit to the city's bishop, the celebrated Ambrose. Ambrose (who, like Augustine, was later to be canonized) was an extremely popular speaker; his symbol in later Christian iconography was the beehive, emblematic of eloquence. Read more »

Winning essay: The Toast by Ian K Ellard

Thank you. Well firstly I’d like to thank the venue here which has laid on a lovely evening for us all for a very modest percentage of net receipts. Thank you.

Next, my beta readers, without whom none of this would have been plausible. Thank you, mrs_fantastic, xxBookSqueexx, martin1972. And booksbooksreadingbooksbooks. How could I forget you, books? You took a time-punt on this story when it was just a story, and your comments and helpful social shares made it into a book. I know you can’t be here with us tonight, but I’ll put this out on the Coretex in the morning. Thank you. Read more »

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Lost and found: adventures in algorithms

There was a moment in the closing panel of the Society of Young Publisher's annual conference on Saturday when panellist Matthew Cashmore, Digital Director at Blackwell's, responded to a challenge from an audience member with "You don't know what we can do." Read more »

The bookselling brain

The business of selling books is run by a communal “brain,” managed by three personality types; those who lead the market, those who organize operations and those who task themselves (like me) with imagining its future. The balance of these types in this brain, this bookselling brain if you will, and the relationship between the parts, determines the behaviour and direction of the industry as a whole.

FutureBook 2013: as it happened

Last week more than 650 people from across the book business attended FutureBook 2013, The Bookseller's digital conference. It was our biggest yet, but also the most successful in spirit and mood, reflecting an industry that is, let's shout it out, having a good digital transition.

 

The creators of publishing

I want to start with a radical idea: the act of publishing has not changed at all since its inception, before the advent of the written word.

We are all aware of the origin of the modern verb “to publish” with it’s Latin root, publicāre, to make public. But, the word itself is not the act; attitudes toward activities shift over time and new words are invented to describe new realities. Read more »

Looking ahead

As we head to FutureBook 2013, I wonder what will dominate the conversation. Amazon? Slowing e-book growth? Tablets? Start-ups?

Last week in The Bookseller I asked four FutureBook speakers what their preoccupations had been over the past 10 months. Their responses spoke of an industry confident in itself, but aware that in this digital age the ground under them is never still. Read more »

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Spot the innovator

Many people (including, I guess, most Futurebook readers) feel the publishing industry desperately needs innovation in many areas. But if publishing companies are poor at innovating themselves, which they clearly are in most cases, what do they do? Outsource innovation to tech giants like Amazon, Apple or Google, or to small, friendly startups?

A couple of pieces of news this week show some problems with this approach. In a DigitalBookWorld interview this week, Mike Shatzkin said: Read more »

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FutureBook 2013: Ashleigh Gardner Q&A

Ashleigh Gardner is head of content at Wattpad and a speaker at FutureBook 2013.

Is Wattpad’s method of crowdsource editing making authors an even more viable product, either for the self-publishing or traditional publishing market? Read more »

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